She sells seashells on the seashore.
Funny where inspiration can come from. Somewhere October 2025, while still in Guatemala, I’ve been going through a darker period of my trip, this heartbreak thing, that I detailed in one of the earlier posts.
I’ve been heavily listening to Ren, an otherworldly talented Welsh rapper, whose song Money Game pt 2 had these lines. Going through this heavier period, I could incredibly resonate with his songwriting.
Once I listened to these lines, I came to an awkward realization.
I have to keep the footage I make for myself, because it only has value, if it gets presented in a format, that worths watching. Instagram stories have the potential to keep your attention span for 10 seconds tops to boost your dopamine level instead of the morning coffee, while sitting on the metro trying to kill your time, but not much more. And the more I’ve invested into creating content, the more impact I wanted to make. At one point you just have to draw the line if something worths putting your effort into. So I’ve just stopped sharing any information of where I went for the following year. Even my closest circle hardly knew about anything about where I went. It wasn’t easy – especially not for my mom who hasn’t seen his child (I know I’m a big ass grown man but I’m still her child) for almost 2 years – you can imagine. And I did continue my trip though, but I intentionally shared photos that gave you very little context of where I was, what I was going through or what I was doing, simply because I wanted to boost the value of the raw footage I was making. I’ve been going through these videos a few weeks ago, and without being biased (or trying not to) I can say, that it has potential.
I heavily invested into making better footage as well.
I bought some action cameras that sit well on my motobike (also upgraded the motobike to a proper tourbike over time) and a drone too, so I can make fancy 4k aerial footage. Now, after hundreds of hours of footage taken during this period, I’m working on to make this presentable for you in a meaningful way. You might not care, I do. It’s a bigger challenge for me at this point than going down to Patagonia. Patagonia is not all that far away anymore. I could drive down from here in about 3 stretched weeks if I wanted.
Down with 2 youtube episodes, and I already have an imaginery future lunch date.
If all goes as planned, I can start releasing episodes soon on a weekly basis. I haven’t been putting so much effort into things like into this one for a long time.
And I’m on a slippery slope, because there is absolutely no guarantee if this will work out. Burning my own cash in a foreign country, my mom says, I’m wasting my time. I want to see that I don’t. And honestly, I always had a vision with this. I’ve been filming through the past almost 2 years while on this trip and it’s only a matter of how a story is being presented. I’m a maniac making this vision a reality.
While I’ve been already working on videos in Guatemala for a language school and in Honduras for a coffee farm and for a dive school, but – and I wasn’t expecting this, launching my own Youtube channel is an exponentially bigger effort.
I could reduce the prod cycle turnover time, but I would need a team around me.
An editor, someone who goes through the raw footage, someone who gives directorial directions, a team I obviously don’t have. So here I am the one man army with Chatgpt.
I’m fighting with my own perfectionism.
Perfectionist me tries to get every single music, video transition, animation, effect, coloring, every single micro-second right. And that’s why I only have 2 videos done after almost 3 weeks of staying where I’m at right now.
And now I need to speed up because I’ve wasted so much time. Okay, I haven’t wasted it, I’m learning. But it still takes more time, than what I’ve initially expected.
They will obviously don’t look always right, because I hardly have any experience on this field, but at least I can try. And trying costs me time, money and energy.
I want to produce at least 6-10 more episodes while I’m here.
I’ve transformed into this strategist Youtuber guy without having any videos on my Youtube channel. Or there were, but they either didn’t add up to the storyline or they were just so bad quality that I had to delete them. Funny, isn’t it? I’m the first Youtuber without Youtube videos.
Since I’m at about day 550 going from Hungary to Patagonia, I won’t be able to make a classical travel vlog, but maybe that’s my actual advantage. Because I already have so many experiences from this trip under my belt, that I can start reframing them into actual learnings and conclusions drawn, that are part of a bigger transformation and personal growth.
I realized the prod-cycle for a video took me too long, so I need to cut it and stick to it, whatever it takes.
I’m working with Chatgpt to build a sustainable-cycle that is followable also, if I get to continue my travels. I have to say, I’ve been improving with each video, ever since I’ve started this trip. My first video had 5 pictures and one motion picture jointed together and in these Youtube episodes there is a production plan followed by a complete production cycle.
Youtube videos work well, if they follow an up-to downstream cycle, where everything starts with an idea and the last piece is the video itself.

Source: Chatgpt
Just a disclaimer, but I don’t know if you have realized, that I’ve been using Chatgpt shamelessly as a source for these photos. What AI is great at, is to decompose tangled thoughts and cut through to clarity. So I’m using it to structure my thoughts and untangle my ideas when I get confused. The sad part is – that I have to acknowledge, that AI works best if you feed more data to it. And I’ve been heavily feeding it with my lifestory for the past months. Seeing AI becoming rapidly and scarily smarter, I doubt that’s a good thing. But well. Exitus acta probat.
Since I’m learning a completely new craft from scratch, it’s important to accept the limitations of my skills and that whatever I’m doing, I’m pretty much all doing for the first time. I’m not a filmmaker but with AI, I’ve been empowered to think like one.
I think it’s important that whatever I produce, is my production and the viewer or reader don’t feel, that it comes from AI.
People cannot vive with AI, but they can vive with other people. They can resonate with other people’s emotional journey, struggle, honesty.
Also had never thought – and this is a big plus, because I’ve been missing this part of my life, I can finally get use of my acting skills I learned on stage.
Now I have to rewire to a 3 day prod-cycle where at the end of each 3rd day a video gets produced, without exceptions. So let’s have a look at that. Of course the source is Chatgpt here as well.
THE 3-DAY PRODUCTION CYCLE
The goal
One finished video every 3 days.
Not one perfect video every 10 days.
The purpose of this system is to create good, meaningful, sustainable videos while continuously improving through repetition.
For the next 3 weeks, the priority is:
Make → Publish → Learn → Make again.
DAY 1 — THINK & WRITE
Goal: Finish the creative plan.
Maximum time: 4–5 hours
By the end of Day 1, I need:
- One clear idea
- One strong hook
- One story
- One emotional point
- One useful takeaway
- A 70–80% finished A-roll script
- A simple B-roll list
- A shooting plan
The key question
What should the viewer think or feel after watching this that they didn’t think or feel before?
If I can’t answer this clearly, the video isn’t ready to shoot.
Important rule
The script does not need to be perfect.
It needs to be clear enough to shoot.
Leave room for natural delivery, improvisation and things that happen while filming.
DAY 2 — SHOOT
Goal: Capture everything needed to tell the story.
Maximum time: 3–4 hours
A-ROLL
Maximum 2 takes per section.
Take 1: Natural delivery
Take 2: Improve what didn’t work
Then move on.
Do not keep repeating a section because:
“I know I can say this better.”
I probably can.
But the goal isn’t the theoretically perfect performance.
The goal is natural, clear and emotionally believable.
B-ROLL
Don’t spend hours searching for the perfect shot.
For each major section, aim for:
- 1 establishing shot
- 1 medium shot
- 1 detail shot
- 1 movement shot
- 1 emotional / atmospheric shot
Then stop.
Use existing footage whenever possible.
The B-roll library exists to make production easier, not to create another perfectionist rabbit hole.
DAY 3 — EDIT & FINISH
Goal: Complete the video and release it.
This is where perfectionism will be strongest.
So every edit decision gets classified into one of three categories.
TIER 1 — MUST FIX
Fix anything that genuinely damages the viewer’s experience:
- The story doesn’t make sense
- The opening is boring or confusing
- Bad audio
- Missing context
- Confusing pacing
- Repetition that hurts the story
- Something objectively distracting
Fix it.
TIER 2 — SHOULD FIX
Things that would improve the video, but aren’t critical:
- An awkward transition
- A slightly weak B-roll choice
- A repetitive sentence
- A pacing issue
- Music that could fit better
- A shot that could be slightly stronger
Fix these if there is time.
TIER 3 — IGNORE
This is where perfectionism lives.
- “Maybe this shot would look cooler.”
- “What if I change the music?”
- “Maybe the color grade could be slightly better.”
- “I could make this transition more cinematic.”
- “Maybe I should find another B-roll sequence.”
- “The subtitle could be positioned slightly differently.”
- “I could spend another hour polishing this.”
Don’t.
If it doesn’t materially improve the viewer’s experience, leave it.
THE GOOD-ENOUGH TEST
Before exporting, ask:
1. Would I personally click this?
2. Does the first 30 seconds make me want to continue?
3. Do I understand why this story matters?
4. Does it make me feel something?
5. Is there at least one thing I’ll remember tomorrow?
6. Is anything objectively broken?
If the answers are:
YES / YES / YES / YES / YES / NO
EXPORT.
Even if I can still see things I could improve.
THE 3-WEEK SPRINT
| Day | Focus | Output |
|---|---|---|
| 1 | Think + Write | Video 1 ready to shoot |
| 2 | Shoot | Video 1 filmed |
| 3 | Edit + Finish | Video 1 published |
| 4 | Think + Write | Video 2 ready to shoot |
| 5 | Shoot | Video 2 filmed |
| 6 | Edit + Finish | Video 2 published |
| 7 | Think + Write | Video 3 ready to shoot |
| 8 | Shoot | Video 3 filmed |
| 9 | Edit + Finish | Video 3 published |
| 10 | Think + Write | Video 4 ready to shoot |
| 11 | Shoot | Video 4 filmed |
| 12 | Edit + Finish | Video 4 published |
| 13 | Think + Write | Video 5 ready to shoot |
| 14 | Shoot | Video 5 filmed |
| 15 | Edit + Finish | Video 5 published |
| 16 | Think + Write | Video 6 ready to shoot |
| 17 | Shoot | Video 6 filmed |
| 18 | Edit + Finish | Video 6 published |
| 19–21 | Buffer / Optional | Video 7 if energy allows |
Target: 6 videos.
Stretch goal: 7 videos.
Video 7 is not mandatory.
The buffer exists because travel is unpredictable and because a sustainable system needs room for reality.
THE RULES FOR THESE 3 WEEKS
1. Don’t make every video a masterpiece.
Make every video worth watching.
2. Don’t confuse effort with quality.
More hours do not automatically create a better viewer experience.
3. Don’t optimize things the viewer won’t notice.
Spend your best energy on:
Story → Emotion → Clarity → Hook → Pacing
Not tiny details.
4. Two takes is enough.
Natural beats perfect.
5. Existing footage is allowed.
I don’t need to shoot everything specifically for the video.
6. When the video passes the Good-Enough Test, publish.
No additional polishing without a specific reason.
7. The objective is repetition.
Make → Publish → Observe → Learn → Repeat.
THE REAL EXPERIMENT
The next three weeks aren’t about proving whether the channel will succeed.
They’re about increasing the number of opportunities to discover what actually works.
Six strong experiments will teach me more than two heavily polished experiments.
Some videos may underperform.
That’s not failure.
A video that underperforms still gives me information.
A video that resonates gives me information.
A video that takes half the time to produce gives me information.
The goal is to build a production system that can survive travel, uncertainty, pressure and real life.
THE ONE QUESTION TO REMEMBER
Whenever I feel the urge to keep polishing:
“Will making this better materially improve the viewer’s experience?”
If yes:
Do it.
If no:
Ship it.
Good enough is not the goal.
Sustainable excellence is the goal.























